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Posts Tagged ‘Amy Campion food’

My dissertation, that is, is done.  Sadly, so is our packing.

We’ve been saying goodbyes to good good friends here in Rome, and will leave on Thursday.  It’s an anticipated sadness and loss, so it’s one that ebbs and flows, comes and goes at unexpected moments.  Life goes on, too, as do the food and wine discoveries. Why did it take 9 months for me to learn about this vino vivace I’m sipping right now?  Monsupello, an off-white slightly fizzy wine made with Pinot Nero grapes (skins taken out), from the Pavia region in the north of Italy.  The reason I didn’t know about it sooner is that Jeannie and Valeria, friends and moms of Jack’s friends, discovered it at our local enoteca—wine shop—and bought it all up.  But with the new season, new caseloads have come in, and we’re all drinking it.  I had it first on Jeannie’s balcony in Trastevere while Jack and Nico “went fishing” with coat hangers over the edge.  Then I had it two nights later at Valeria & Andreas’ apartment.  Two Roman veterinarians, they told us about their dreams of opening a restaurant in London or Berlin that serves good basic Roman cuisine.

Late, too, I found out about Necci, a wonderful little cafe that does everything from breakfast pastries to toy-swaps for the kids with aperitivi for the parents.  Jeannie, Sarah, and I went to Pigneto, a Roman neighborhood outside of the city center, last week, on a mission to taste the artisanal cornetti (Italian croissants).  The chef, a British guy named Ben, is one of those admirable chefs who uses only local and seasonal ingredients and who is reviving old ways of making things.  Jeannie and I had chocolate cornetti and agreed that they were the best we’d tasted in years.  Light crunch to the pastry flakes—dark, warm chocolate within.

Necci is a fun place with great deck seating, kid-friendliness, a sense of humor, and delicious food.  Some pictures.

Jeannie & Sarah

banana flush pull

After a long, leisurely hour and two cappuccini at Necci, we walked down a central neighborhood street that has an open air market during the morning.  I bought a melon, a bagful of cherries, and susine plums.

Then we wandered with our fruit-heavy bags back to Sarah’s car, stopping in little shops along the way.  One of them was a funky second-hand store, with everything from a vintage Singer sewing machine—from the 1910s—to Pokemon cards.  Now, if I had known then what I know now, I would have bought a huge handful of those cards.  For the past few days of goodbyes Jack has been cathecting all of his mixed emotions onto his carte di Pokemon.  I buy a pack for him (and they’re exploitatively expensive!) and he gives them all away as regali.  Or his more cunning friends convince him to trade 4 for 1.  I tell him I won’t buy him anymore, and he cries and says he doesn’t want to go to school or see his friends again.  I say, “I know you’re sad that we’re leaving. Let’s talk about what you like about Rome” and he’ll say, “I like the buses and the carte di Pokemon.”  It’s been a sad time for him, because he’s had such a wonderful year.  He learned Italian and finally feels comfortable with his Italian friends and teachers. He loves his school.  He loves life here at the Academy where there are always friends available right next door. So he channels his emotions into the things he can grasp at and consume until we go away (friends are too complicated for these operations): Gormiti (little Italian elemental action figures), Pokemon cards (which, he doesn’t know, are everywhere), and ciambellini (the mini doughnuts they make at the Kosher cafe we stop in almost every morning before school).  We all do it.  I’m drinking more coffee because I know I won’t taste coffee like this in the New World.  I’m putting one more slice of mozzarella on my plate because it might be my last for years. I’m getting a cup of pistachio gelato even if Jack doesn’t want any.  We’re trying to squeeze in one more coffee-date, playdate, late-night conversation with the wonderful friends we’ve made here.  And I’m trying to drink in the views and sounds of Rome so that I won’t forget any of it, so that it won’t become muted and hazy when we get back to “real life.”

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At a junction of thoughts that represents some substance of my life right now: a chapter in Moby Dick; a talk about food in high art given by Leonard Barkan; the local-food-movement mantra know your food, know your farmer; swimming, during which activity my thoughts form folds with each lap and the thought that my son loves swimming connects to the porpoises on Planet Earth and in Moby Dick, which leads to another branch of my family, those Nantucket whalemen ancestors, who probably dined on whale at some point, and one of whom carved an incredibly intricate scrimshaw fan during those endless hours of calm water.

https://i0.wp.com/www.artunframed.com/images/boucher3/Are_They_Thinking_About_the_Grape.jpg

Leonard’s talk, “Thinking of the Grapes” (which refers to this painting by François Boucher) was about how food has an ambiguous status in high art, in particular (in this lecture) Renaissance and Baroque painting.  Food is both vividly, sensuously present in all of its particularity of detail, and is officially secondary to the main subject.  Gastronomy falls far below philosophy, theology, astronomy, or love, and yet it obtrudes itself into the artist’s imagination and into the picture and takes on significance as the too-muchness of what we desire and fear of appetite.  It is suppressed, Leonard suggests, because it is just too consuming.

Food enters art more or less smoothly or subversively depending on the culture, the age, the medium, the genre.  Novels—omnivorous gluttons of the details of everyday life that they are—might be expected to contain more food.  Moby Dick has none of the delicacy of Boucher’s lovers feeding each other grapes, and contains a smorgasbord of greasy, glistening, animal food and its bestial eaters.  But the discussion of eating in the chapter “The Whale as a Dish” is not simply a display of macho engorgement.  It has as much ethical, psychological, cultural, socioeconomical, and philosophical penetration as the best thinking about food today, and combines all of these elements in prose more musical, serio-satirical, and strange than anything I’ve read recently.

Here is the chapter.

“The Whale as a Dish”

That mortal man should feed upon the creature that feeds his lamp, and, like Stubb, eat him by his own light, as you may say; this seems so outlandish a thing that one must needs go a little into the history and philosophy of it.

It is upon record, that three centuries ago the tongue of the Right Whale was esteemed a great delicacy in France, and commanded large prices there.  Also, that in Henry VIIIth’s time, a certain cook of the court obtained a handsome reward for inventing an admirable sauce to be eaten with barbecued porpoises, which, you remember, are a species of whale.  Porpoises, indeed, are to this day considered fine eating.  The meat is made into balls about the size of billiard balls, and being well seasoned and spiced might be taken for turtle-balls or veal balls.  The old monks of Dunfermline were very fond of them.  They had a great porpoise grant from the crown.

The fact is, that among his hunters at least, the whale would by all hands be considered a noble dish, were there not so much of him; but when you come to sit down before a meat-pie nearly one hundred feet long, it takes away your appetite.  Only the most unprejudiced of men like Stubb, nowadays partake of cooked whales; but the Esquimaux are not so fastidious.  We all know how they live upon whales, and have rare old vintages of prime old train oil.  Zogranda, one of their most famous doctors, recommends strips of blubber for infants, as being exceedingly juicy and nourishing.  And this reminds me that certain Englishmen, who long ago were accidentally left in Greenland by a whaling vessel—that these men actually lived for several months on the mould scraps of whales which had been left ashore after trying out the blubber.  Among the Dutch whalemen these scraps are called “fritters”; which, indeed, they greatly resemble, being brown and crisp, and smelling something like old Amsterdam housewives’ doughnuts or oly-cooks, when fresh.  They have such an eatable look that the most self-denying stranger can hardly keep his hands off.

But what further depreciates the whale as a civilized dish, is his exceeding richness.  He is the great prize ox of the sea, too fat to be delicately good.  Look at his hump which would be as fine eating as the buffalo’s (which is esteemed a rare dish), were it not such a solid pyramid of fat.  But the spermaceti itself, how bland and creamy that is; like the transparent, half-jellied white meat of a cocoa-nut in the third month of its growth, yet far too rich to supply a substitute for butter.  Nevertheless, many whalemen have a method of absorbing it into some other substance, and then partaking of it.  In the long try watches of the night it is a common thing for a seaman to dip their ship-biscuit into the huge oil-pots and let them fry there awhile.  Many a good supper have I thus made.

In the case of a small sperm whale the brains are accounted a fine dish.  The casket of the skull is broken into with an axe, and the two plump, whitish lobes being withdrawn (precisely resembling two large puddings), they are then mixed with flour, and cooked into a most delectable mess, in flavour somewhat resembling calves’ head, which is quite a dish among some epicures; and every one knows that some young bucks among the epicures, by continually dining upon calves’ brains, by and by get to have a little brains of their own, so as to be able to tell a calf’s head from their own heads; which, indeed, requires uncommon discrimination.  And that is the reason why a young buck with an intelligent looking calf’s head before him, is somehow one of the saddest sights you can see.  The head looks a sort of reproachfully at him, with an “Et tu Brute!” expression.

It is not, perhaps, entirely because the whale is so excessively unctuous that landsmen seem to regard the eating of him with abhorrence; that appears to result, in some way, from the consideration before mentioned, i.e., that a man should eat a newly murdered thing of the sea, and eat it too by its own light.  But no doubt the first man that ever murdered an ox was regarded as a murderer; perhaps he was hung; and if he had been put on trial by oxen, he certainly would have been; and he certainly deserved it if any murderer does.   Go to the meat-market of a Saturday night and see the crowds of live bipeds staring up at the long rows of dead quadrupeds.  Does not that sight take a tooth out of the cannibal’s jaw?  Cannibals? who is not a cannibal?  I tell you it will be more tolerable for the Fejee that salted down a lean missionary in his cellar against a coming famine; it will be more tolerable for that provident Fejee, I say, in the day of judgment, than for thee, civilized and enlightened gourmand, who nailest geese to the ground and feastest on their bloated livers in thy paté-de-foie-gras.

But Stubb, he eats the whale by its own light, does he? and that is adding insult to injury, is it?  Look at your knife-handle, there, my civilized and enlightened gourmand dining off that roast beef, what is that handle made of?—what but the bones of the brother of the very ox you are eating? And what do you pick your teeth with, after devouring that fat goose?  With a feather of the same fowl.  And with what quill did the Secretary of the Society for the Suppression of Cruelty to Ganders formally indite his circulars? It is only within the last month or two that that society passed a resolution to patronize nothing but steel pens.

Moby Dick (1851)
Herman Melville

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Sunday morning was spectacularly sunny, and warming up quickly.  We had our first spring day (followed by more rain today).  It was perfect for our walk—with Anna, Jon, Lulu, Jesse, Rena, Nick, and Zoe—down the hill and across the Tiber to the old Jewish ghetto where one special forno makes perfect doughnuts.

When we got to the octagonal tower next to the old Cenci palazzo, we could smell the sweet warm scent of baking dough.

There was a line out the door, as expected.

(Those cakes in the window are ricotta-chocolate chip and ricotta-cherry tortes, with their crumbly, not-too-sweet burnt sugar crusts.)

Jon went in with a handful of change, and came out with the last 4 doughnuts.  Just in time!  These kids would have been inconsolable.

These are the antithesis of Krispy Kremes: dense, chewy, and just slightly sweet.

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The gelaterias are opening their doors.  Puddles in the cobblestones sparkle in the sunlight. Rainstorms are rushing through, and leaving in their wake warm spots and green buds.

During one of these post-rain spells yesterday, Jack and I walked down to Trastevere to buy a birthday present for Agnese, whose party is today.  Our favorite destination for toy and art-supply shopping is Piazza San Cosimato, which has an open air market, a playground, great scootering terrain, and three toy stores.  After picking out a magic wand and a set of stamps complete with ink-pad and pouch, we went to the playground.

After bouncing and climbing and swinging and staring at the winos, Jack was ready for our next stop: Fior di Luna gelateria, where all of the ingredients are organic, local, and/or fair trade, and the gelato tastes intensely of its few flavorful parts—whether those are pistachios, vanilla beans, or blood oranges.  This gelateria also uses only seasonal ingredients, so the flavors that dominate now are citrus, nuts, and chocolate.

Spring is on the way, though.  Look at the flowers popping up in the Bass Garden!

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It’s cold, rainy, and February.  But with a fire in the fireplace, an amazing Indian lunch, and a handful of confetti, we brightened up this dismal day.

Jon and some of the kids went out to the Triangle Garden to gather some dampish wood.  It lit… and smoked and hissed… but also blazed, and had the kids alternately staring entranced at its flames and running helter skelter calling out for hot cocoa.  Lulu lolled, and Jack fanned the flames.

Mona and the cooks made the best Indian meal I’ve ever had, with curried chicken, dal, spiced rice, papadum, raita, two chutneys, and sauteed greens.  Everyone went back for more, and then we noticed the cake—a fluffy almond cake infused with toasted, crushed cardamom seeds.  With a dollop of tangy yogurt on the side, and a perfectly pulled esspresso, this dessert went down in history.

What an inspired culinary performance!

And despite the rain, Carnevale goes on.  We’re saving most of our confetti for tomorrow, when the sun will shine, but I sprinkled a handful down from the window on Jack, for whom the simple pleasure of watching brightly colored snow fall is close to ecstasy.

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I went on a walk this morning, after a doppio cappuccino didn’t help my concentration.  Down the steep steps, around the curve of Via Garibaldi, through some narrow Trastevere streets, across Ponte Sisto to Campo di Fiori, where Giordano Bruno presides over the messy mosaic of the open air market.  I stopped in some shops with “Saldi” signs—holiday sales still going on.  (Found a rust-colored viscose-velvet skirt that has a nice swing to it.)  I walked by Roscioli and didn’t go in, for once.

I took lots of pictures of architectural angles that struck me, and found, on my way back up the steps to the Janiculum that the door to the courtyard where the Tempietto stands was open.  This is a symmetrical, serene little place.  A tiny round temple that somehow feels proportionally perfect inside the plain block of a cloister courtyard, it was designed and built by Donato Bramante around 1502.  All of my new architect friends have me thinking about how the treatment of space translates—and translates into—emotions.  The dignity and simplicity of the Doric columns, the details, down to the rainwater drain, made me feel a subdued awe, peace, calm, as if the world, for a moment, had some harmony.

Tempietto seen through the entrance arch.

rainwater drain

Soon, though, I realized that the two guys in easy conversation at the gate, jingling their keys from time to time, were waiting for me to leave.  We all laughed when I finally caught their eye and hurried out.

After my brisk communion with commerce, architectural curves, and sacred spaces, I arrived just in time for lunch at the Academy.  It was one of those days when everything was good—especially the baked scamorza in a spicy tomato sauce, the farro roasted with lemons and fennel, the ricotta al forno, and the dessert: torta mimosa.  This cake would be perfect at a wedding. It is white, fluffy, with citrus hints and intensities in its delicate layers of crumb and buttercream.  The frosting on the outside is dusted with crumbly crumbles of the cake’s delicious crumb.  Of course I didn’t get a picture, and when I looked for one on google, all I found were these, which are vulgar, garish, impostors of the angelic dessert we ate today.

If you’d like to see my pictures of some architectural history and whimsy that’s at every turn in Rome—like this curvaceous facade—go to my Flickr page.

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We’re in the season of Carnevale, the forty days before Lent, which used to be, for Italians, one long party, when masquerade meant license.  (For some of Lord Byron’s lines on this tradition, check out my fritter post.)  Speaking of fritters, frappe—a crispy, ruffled kind of fried dough topped with a blizzard of powdered sugar—is now in all of the forno windows, beckoning people with its simple mix of sweet, fat, once-a-year bliss.  On our way to the market this morning, Ramie and I stopped at Dolce Desideri (as usual).

There are all kinds of other traditional Carnevale pastries, too, some of which are variations on what we call “doughnut holes” and Italians call “bombe.”  (I have to admit, I sometimes give in to Jack’s whine on the way to school, and stop at Caffe Tazza D’Oro, where I get a cappuccino and he gets “una bomba piccola,” a little ball of sweet, sugar-crusted dough small enough to fit in my fingers’ OK sign.)

From Desideri, we went to the market to stock up on delicious seasonal greens. I bought a little head of treviso radicchio that looks like an overblown dark rose.

The presence of limes at this stall made us realize there is a complete lack of limes in Italian cooking—at least around here.  Why?  Every other citrus fruit grows in abundance, in the gardens here, in the playground at Jack’s school, in courtyards all over the city.  But this is the only place I’ve ever seen limes.

This is also the place to get ginger root, dried fruits, bulk nuts, and spices.

From there, I went to my favorite local forno to get some pizza bianca.

I also bought some puntarelle, which I later tossed in the traditional Roman way with lots of garlicky vinaigrette and chopped anchovies.  Puntarelle are the hearts of a tall chicory variety, sliced lengthwise and soaked in cold water, which makes them curl and takes off some of their bitterness.

The recipe at epicurious.com suggests substituting endive, if you can’t find any chicory.  (I’ve adjusted the amounts a bit from their recipe):

  • 3 garlic cloves, chopped
  • 6 anchovy fillets, rinsed, patted dry
  • Large pinch of coarse kosher salt
  • 1/4 cup extra-virgin olive oil
  • 1 tablespoon red wine vinegar
  • 1/2 teaspoon Dijon mustard
  • 4 large heads of Belgian endive (about 1 1/3 pounds), halved lengthwise, then cut lengthwise into thin strips

Mix garlic, anchovies, and salt in small bowl. Mash with back of wooden spoon or firm spatula until paste forms. Whisk in oil, vinegar, and mustard. Season dressing to taste with salt and generously with pepper.

Place endive in large bowl of ice water. Refrigerate 1 hour. Drain well. Place in clean bowl. Toss with anchovy dressing and serve.

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This distinction, between red and white, is an important and ubiquitous one in Roman society.  Well, at least when it comes to snacks and drinks and—if you’re talking to children—dinner.  There’s, of course, red or white wine.  (But these are just the most basic distinctions.  In addition to the great array of differences based on geography and terroir, there’s also the difference of fizz. But fizz, we’ve found, covers the spectra of bianco through rosato to rosso, and of seca to dolce.  In other words, it’s possible, and a pleasure, to find a dry fizzy pink wine and a sweet fizzy red wine.)

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I thought moving to Italy would expand my son’s diet into the far reaches of foreign flavors and textures.  He already liked olives and peppers.  We seemed to be on the right track.  But for some reason, living in Rome has contracted his taste.  His favorite choice, when it comes to dinner, is pasta bianca or pasta rossa.  And usually, he’ll choose the bianca: pasta with olive oil and grated parmesan.  He seems to have given up green things, which drives me nuts, because there are so many more wonderful green things here than there have been anywhere else he’s lived—except Berkeley, where he lived when he was just cutting teeth.  Green leaves with cheese, green leaves with nuts, green leaves with sweet onions, green leaves with grains, gazillions of great greens!  He won’t have any of it.

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The third important category of the rossa/bianca divide is pizza.

Pizza rossa is a thin, tasty crust spread with savory tomato sauce; each good forno will have its own sauce, some more salty or herbaceous than others.  Pizza bianca is a bubbly pizza crust topped simply with olive oil and salt.  Again, each forno’s dough has its own taste and consistency, and is topped with more or less salt.  You can also order pizza bianca morbida (soft) or dura (hard-crunchy). My favorite place to buy both is Panificio Beti, in our neighborhood.  The lines are always long, and the family behind the counter always bustling and full of banter.

These Roman basics serve as snacks or sides at any time of the day.  Italian life is riddled with rules, but, as far as I can tell, pizza rossa and bianca exist in a looser realm.  As a rule, Italians don’t eat on the run the way Americans do.  Even to-go coffee is a very rare sight.  But pizza rossa can be eaten with dignity while one is walking along the sidewalk.  The pizzeria guy will cut a piece in half, slap the parts together sauce-side-in, and wrap the bottom half in a piece of paper—a process that takes about a second and a half—so the snack is ready to eat as soon as it passes from his hand to yours.  I’ve seen people eat it for breakfast, for elevenses with beer,  for a late afternoon snack, and for dinner.

Last night, still satiated from the big Saturday Academy lunch, we had salad, pizza rossa, and vino rosso, for dinner.  Jack had the white ribs of the lettuce, pizza bianca, and milk.  I wish he’d broaden his taste at least to complete the color combo of the Italian flag.

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The noun form of fritter—the one that speaks of food—derives from the Latin verb for “fry,” frigere. Although I’m writing a food blog, this is not the form of fritter I’m concerned with today.

The other form, the transitive verb usually followed by “away” derives not from any culinary activity but from the Old English word fitt, meaning “part” or “piece.”  When you fritter away your time or money, you disperse it little bit by fragment, almost unconsciously….

What I’m getting at is the reason I haven’t been posting much recently.  We have seven months left in Rome, and I’m determined to finish and file my dissertation before those months are up.  Therefore, my life must be lived with as little frittering of any sort as possible.  I’m sure I’ll find a snatch of time here and there to post some words about some thoughts on food.  Just less frequently.  And, of course, some forms of frittering can always be justified.  As Lord Byron says, “Oh pleasure, you’re indeed a pleasant thing.”

Or, wait!  Maybe I can sometimes bring these diverse writing projects together.  Byron wrote some funny verses on being a carnivore during the Venetian Carnival:

This feast is named the Carnival, which being
Interpreted, implies ‘farewell to flesh’:
So call’d, because the name and thing agreeing,
Through Lent they live on fish both salt and fresh.
But why they usher Lent with so much glee in,
Is more than I can tell, although I guess
‘Tis as we take a glass with friends at parting,
In the stage-coach or packet, just at starting.

And thus they bid farewell to carnal dishes,
And solid meats, and highly spic’d ragouts,
To live for forty days on ill-dress’d fishes,
Because they have no sauces to their stews,
A thing which causes many ‘poohs’ and ‘pishes’,
And several oaths (which would not suit the Muse),
From travellers accustom’d from a boy
To eat their salmon, at the least, with soy;

And therefore humbly I would recommend
‘The curious in fish-sauce’, before they cross
The sea, to bid their cook, or wife, or friend,
Walk or ride to the Strand, and buy in gross
(Or if set out beforehand, these may send
By any means least liable to loss),
Ketchup, Soy, Chili-vinegar, and Harvey,
Or, by the Lord! a Lent will well nigh starve ye;

That is to say, if your religion’s Roman,
And you at Rome would do as Romans do,
According to the proverb,—although no man,
If foreign, is oblig’d to fast; and you,
If protestant, or sickly, or a woman,
Would rather dine in sin on a ragout—
Dine, and be d—d!  I don’t mean to be coarse,
But that’s the penalty, to say no worse.

(From Beppo, 1818)

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Just when you think you can’t eat or drink anything else, someone has a party.  That’s just how the holidays are.  Yesterday, we invited a few friends who are leaving Rome today to have a low-key dinner with us.  I planned to make those cabbage-wrapped pork meatballs I wrote about recently.  Then, we got Nick’s invitation to join him and Rena and 15 others for a party the aim of which was to finish off the wild boar stew he’d made for Christmas dinner.  We decided to move the meal to our apartment, right next door, for reasons having to do with sleeping children and baby monitors. And then, we ran into Jason, who said he’d bring down his leftover rabbit stew.  Meat fest!

Sensing, perhaps, that this would be a meal of small restraint, our guests showed up with cookies, cheese, and panetone, and copious bottles of wine, Cointreau, limoncello, and scotch.

And I had decided that the dry little biscotti in the cupboard, however tasty on an abstemious day, would not stand up next to such a feast, and so I made chocolate mousse.

This is all that remains of a large bowl of the fluffy, dark, silky, luxuriant dessert:

To top it off, along with some light-as-air amaretti that Lisa and Philip brought, I whipped some Cointreau into the cream.  Oh, my!

The recipe I used was a doubling of this one from Bon Appetit, May 2001.  The sugar, eggs and milk were organic, and the chocolate 70% cacao.

Bittersweet Chocolate Mousse

Start this recipe six hours to one day ahead.

Yield: Makes 6 servings

1/2 cup whole milk
2 large egg yolks
4 tablespoons sugar
6 ounces bittersweet (not unsweetened) or semisweet chocolate, finely chopped
1 teaspoon vanilla extract
4 large egg whites
Pinch of salt

Whipped cream

Whisk milk, egg yolks, and 2 tablespoons sugar in heavy small suacepan to blend. Place over medium-low heat and stir until mixture thickens enough to coat spoon, about 7 minutes (do not boil). Remove from heat. Immediately add chocolate and whisk until smooth. Whisk in vanilla. Transfer mixture to medium bowl; cool to lukewarm, stirring occasionally, about 10 minutes. Beat egg whites and salt in large bowl until soft peaks form. Gradually add remaining 2 tablespoons sugar, beating until stiff but not dry. Fold whites into cooled chocolate mixture in 3 additions. Divide mousse among 6 goblets or transfer to serving bowl. Refrigerate until cold and set, at least 6 hours. (Can be made 1 day ahead. Cover and keep refrigerated.)

(Actually, I’d recommend making it a day ahead. The texture is better the second day.)

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